The Other 1% – C-Block
Sunday 25th March 2018 at 3pm. Venue open at 2.30pm.
NOW, FREE ENTRY.
99% of evidence that alleges to be paranormal is either erroneous or fraudulent. That leaves 1% of information that, at present, defies explanation.
A series of monthly live audio dramas with a difference…
Amy Sutton and Jack Kristianson are your presenters – immersing you in a short fully illustrated presentation that will enlighten you with a tale of some aspect of the paranormal.
After an interval, the roughly one hour-long audio drama begins – recorded live for web transmission – with a cast of up to nine actors weaving a most captivating tale.
Today’s cast includes Paul Moriarty (from ITV’s The Gentle Touch & BBC TV’s Eastenders) and Emily Carding (known for her Shakespearian Theatre work)
A teenager is forced to confront a murderer by the ghost of his victim.
A monstrous concrete estate is home to teenager Finn, where he suffers at the hands of the local gangs. Everything changes when the ghost of a murder victim appears to Finn. Now it’s his persecutors turn to feel very afraid but Finn will discover there is a price to pay.
Please note, this play contains very strong language.
Written by Jonathan Williamson, C-Block started life as a script for a horror film. Having successfully collaborated with TBC Audio on a number of productions including Extraordinary Tales, The Boleyn Brothers and the acclaimed production Protect & Survive which premiered at the Brighton Fringe in 2017, Jonathan has adapted his story as an full-cast audio theatre production for TBC Audio.
This will be C-Block’s world premier and the recording will be aired later in the year.
Before recording the play Jonathan will discuss it’s origins and the difficulties of trying to make independent films in the UK today with the regular presenters of The Other 1%.
Two Acts. 20 mins and 70 mins. Suitable for age 15+.
Contains adult language, violence and scenes of a sexual nature from the start.
FREE ENTRY TO THIS EVENT.
PLEASE PICK UP YOUR TICKETS AT THE THEATRE IN ADVANCE, OR ON THE DOOR.
With regret, the venue is below ground on split levels and has no wheelchair access.
A hearing loop is available.